It starts well enough. Excellent stripped down (compared to the album) versions of material from "The Marshall Suite". Smiths voice is treated with a lot of reverb and echo which tends to give it a tinny quality.

"F'oldin Money" sort of collapses seemingly due to guitar and microphone problems. Mark announces they have a few problems and are going off for about ten minutes. A country and western song plays, guitars are strummed, keyboards are messed about with. An instrumental "Perfect Day" with snarling synth taking the lead kicks things off again. "Spencer" is moody with out of tune guitar, feedback and some limited vocals due to technical problems. Guitars are tuned again and a manic version "Ten Houses" is taken at double pace with completely new lyrics which are mostly indecipherable.

"And Therein" is done as a mid tempo rocker, "Inevitable" is a mass of slurred vowels and tinkling keyboards, a heavy metal instrumental version of "Antidotes" follows without drums.

"On my own" is beset by strange guitar figures from Wilding which do not seem to fit and are slightly out of tune. Things seem to drift and then the band reappears for a powerhouse "The Joke" but again Smith vocals are oddly distorted by over the top echo/reverb and Head drops a beat half way through. "Antidotes" is played well but an subdued and fractured "Calender" follows. "He Pep" is mostly unrecognisable dogged by innappropiate chords and a weedy synth sound.

"Mr Pharmacist" gets a false start - an acerbic little aside - and then a new set of lyrics - and is played abysmally. It all finishes with a troubled take on "Perfect Day" (again).

An oddity indeed. Not sure what was happening on this night but it is a strange performance indeed.

Completists and masochists need only apply.