A very clear audience recording in most parts. A nice "club" feel to the sound albeit a tad bassy in places.
Opens with a mutant "Blob 59/proto Lie Dream" reading. Some feedback on "Older Lover".
"Alright don't let shabby newspapers come between us" introduces one of the nine known outings of the prog-tastic "Cary Grants Wedding" and features one of the first known hearing of the conceptually continuous "Wolverines'" that pepper Mr Smiths utterings over the years. An excellent reading.
Some serious tuning problems feature in "New Face" with a meandering guitar noodling section at the beginning as Craig tries manfully to get his instrument in some sort of tandem with the rest of the band. He fails and the version is seriously sans-guitar and has overblown bass until the kazoo kicks in and then it all seems to right itself.
There is a period of intense tuning after this. Mark indicates that the band have been "contriving a break". A very dense version of "Middlemass" follows with some minor sound problems caused by the bass notes of the keyboard. Marc Riley eventually gives up on the keyboards complaining that they are out of tune.
More guitar problems beset a hiccup start to "Container Drivers".
Unfortunately the rest of the gig is missing after "Leave the Capitol" on my version so I cannot comment any further at this stage.